Analysis The Jazz Photography - 931 Words

Introduction Jazz photography is an unending experience in discovering motion, feelings, light and interconnection of the human form with musical instruments and each other. Some rules of photographing a portrait apply to it, but the unpredictability of movements, emotions and the need for working with available light make it more similar to the practice of candid photography. Also, the human aspects of it – who to shoot and when, the question of photographer’s courage to cross boundaries and get close, invisibility, visibility, and the speed – make it similar to street photography. This post is a summary of author’s experiences and lessons learned through photographing various rehearsals and live performances, mostly in artificial, low-intensity light, no flash and equipment that’s hardly can be categorized as semi-professional. Of course having inadequate equipment for a job is a good thing in itself, but it teaches you what is critical in your future choices of tools. As I explore this subject, I will write about musicians and their instruments as the central part of the mise-en-scà ¨ne, light as an object, the audience, camera angles, camera settings, and some technical aspects of the workflow in my upcoming posts. Part one – the human factor and the mise en scà ¨ne* The need to have a rapport with performers as they play is not as essential as in portrait photography- which is paramount- because they need to focus on their own task and you should focus on your own.Show MoreRelatedSummary : On The Problem Of Musical 1936 Words   |  8 PagesAdorno, Theodore W. On the Problem of Musical Analysis. 169-87. Vol. 1. 2nd ed. Translated by Max Paddison. Hoboken: Wiley, 1982. Adorno discusses the problems with analysis. Particularly critical of Schenker, arguing that when applied to music not of Beethoven, Schenkerian analysis tells us very little. He talks about how analysis the theme, which seems like a pretty straight forward statement, but when you spend years applying roman numeral analysis to every piece of music you come across, it’sRead MoreThe Movie Camera: The Evolution and Impact of Filmmaking2204 Words   |  9 Pagesexperienced a Golden Age of cinema. An Analysis of the Movie Camera: The Evolution and Impact of Filmmaking Introduction The Lumiere Brothers initiated the silent film era, which brought numerous classical works of literature to the big screen, and which also saw the rise of silent clowns (such as Buster Keaton) before the movie camera evolved to the point where sound recording became an integral part of the dynamic. The Lumieres advanced the art of photography by producing some of the first silentRead MoreChapter 33 – Early 20th Century5648 Words   |  23 Pages | |d. |Column | ____ 6. Which of the following artists created a modern American art style combining Synthetic Cubism with jazz tempos and his perception of the fast-paced American culture? |a. |Marsden Hartley | |b. |Charles Demuth Read MoreClassical Hollywood Cinema1786 Words   |  8 PagesThe release of Gordon Hollingshead and Alan Crosland’s The Jazz Singer in 1927 marked the new age of synchronised sound in cinema. The feature film was a huge success at the box office and it ushered in the era David Bordwell describes as ‘Classical Hollywood Cinema’; Bordwell and two other film theorists (Janet Staiger and Kristin Thompson) conducted a formalist analysis of 100 randomly selected Hollywood films from the years 1917 to 1960 in order to fully define this movement. Their results yieldedRead MoreEll Bistro Cafe2495 Words   |  10 PagesSpecialty coffees, espresso-based drinks, desserts and pastries, and light sandwiches will be available in the coffee shop. Niche-magazines and newspapers will be readily available for purchase by the venue s patrons. Musical offerings will span jazz, Latin, and urban musical traditions. The performance space will also offer ample opportunities for space for an artist, poet, reader, etc. When not in use as a stage, the space will double as a customer seating area with tables and chairs. 3.2Read MoreBibliographic Essay on African American History6221 Words   |  25 PagesThe authors’ responses to Johnson’s criticisms appear in William and Mary Quarterly 59 (January 2002) wherein Edward A. Pearson’s â€Å"Trials and Errors: Denmark Vesey and His Historians,† acknowledges errors in the transcriptions but defends the analysis. The dispute remains unresolved, but it is clear that slave conspiracies or rumors thereof brought deadly results for 10 ï ¿ ¼Ã¯ ¿ ¼Ã¯ ¿ ¼Ã¯ ¿ ¼Ã¯ ¿ ¼Ã¯ ¿ ¼Ã¯ ¿ ¼Ã¯ ¿ ¼Ã¯ ¿ ¼ many persons involved or accused of involvement. Abolition of slavery North American slavery was never withoutRead MoreBarnes and Noble: Business Information System5010 Words   |  21 PagesAcademic Registrar use only | Table of Content Executive Summary 3 Company Description 5 Business Perspective Evaluation 6 Establishment and Organization of E-commerce 6 E-commerce and Revenue models 8 Analysis of Industry, Market and Competitors 9 SWOT analysis 10 Competitors 11 Promotion and Customer Relations 12 Market Target 12 Advertising Methods 12 Customer Relationship Management 13 Technological Perspective 13 E-commerce framework 13 People 13 Public policyRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 PagesPhenomenology of the Narrative, 16 II Problems of Film Semiotics Chapter 3. Chapter 4. Chapter 5. The Cinema: Language or Language System? 31 Some Points in the Semiotics of the Cinema, 92 Problems of Denotation in the Fiction Film, 108 III Syntagmatic Analysis of the Image Track Chapter 6. Outline of the Autonomous Segments in Jacques Rozier s film Adieu Philippine, 149 Chapter 7. Syntagmatic Study of Jacques Rozier s Film Adieu Philippine, 177 vii viii CONTENTS IV The Modern Cinema: Some TheoreticalRead MoreNon Profit Analysis Essay7109 Words   |  29 PagesNon-Profit Analysis Project Liberty University Penny LeBaron Busi 602 Carlson Hurst Part 1: Christian World View According to Del Tackett’s article on the Focus on the Family website, a person with a Biblical world view â€Å"believes his primary reason for existence is to love and serve God† (Tackett, 2012). Barna Research Group asks the following questions to determine if a person has a Biblical worldview: â€Å"Do absolute moral truths exist? Is absolute truth defined by the Bible? Did JesusRead MoreAdministrative Concepts And Management Strategies7128 Words   |  29 Pagesto complete. c. 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Greek Justice Plato And Aristotle - 1085 Words

Philosophers and Justice as the Greek World Expands in 400-150 BCE Justice could be the defined as the quality of being fair and reasonable, during the period of 400-150 BCE when the Greek civilization was being formed. Plato and Aristotle are philosphers, who are leading figures of ancient Greek civilization and both discussed justice and established theories about the views of being just. Plato was a student of Socrates, and Aristotle was a student of Plato. Aristotle and Plato had different philosophies about many subjects such as justice and injustice, the function of humans, truth, the human soul, art, and politics. Starting with Plato (427 BC-347 BC) one of the most important philosophers of the world and the founder of â€Å"The†¦show more content†¦To compare the political theories of two great philosophers of politics is to first examine each theory in depth. Plato is regarded by many experts as the first writer of political philosophy, and Aristotle is recognized as the first political scientist. These two men were great thinker s. They each had ideas of how to improve existing societies during their individual lifetimes. It is necessary to look at several areas of each theory to seek the difference and similarities in each. Both philosophers had common points and some differences, starting with Plato, where in the beginning of his conversation with Thrasymachus (Plato, The Republic ,Page 19), the latter defines justice as â€Å"what is the interest of the stronger party†. Socrates goes on to refute this definition by saying that the stronger party can be at fault sometimes, and a ruler can make mistakes. One of the questions that Plato pursued in his work was the one proposed by Thrasymachus who suggests that the pursuit of self-interest or injustice pays better than that the pursuit of justice. Socrates states that the injustice would create disagreement and weakness instead of strength. He says that injustice causes problems and weakens the group â€Å"†¦ whether it occurs in a state or fami ly or army or in anything else: it renders it incapable of any common action because of factions and quarrels, and sets it at variance with itself and with its opponents and with whatever is just† (Plato, The Republic, pageShow MoreRelatedEssay about How Greek Philosophers Affect our Learning Today1403 Words   |  6 PagesWorks Cited†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..6 A. Plan of Investigation: The topic, Greek Philosophers, could be a very broad topic to write a research paper on. However, the plan of action, which will occur to create this report, will ensure that the end product will be different from the rest. 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EJERE DEPT OF POLITICAL SCIENCE AND PUBLIC ADMINISTRATION FACULTY OF SOCIAL SCIENCE UNIVERSITY OF UYO, UYO AKWA IBOM STATE MAY, 2012 A COMPARATIVE ANALYSIS OF PLATO AND ARISTOTLES POLITICAL THOUGHT In order to compare these great philosophers, it isRead MoreHistorical Events That Took Place During The Classical Period1458 Words   |  6 PagesWorld Literature I Historically Significant Influences of Aristotle During the Classical Period, 500-232 BCE, Greece was at the peak of its political and cultural achievement. This was also a time of war, most noteworthy being the vast empire created by Alexander the Great. In a period containing such an immense amount of historical significance there is no doubting that it had influenced the people born. 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Epiphanies In Dubliners Essay Research Paper Most free essay sample

Epiphanies In Dubliners Essay, Research Paper Most perceivers and literary critics consider Joyce s Dubliners a consummate sequence of multiple nonsubjective epiphanies, due to the mode in which Joyce reveals the metropolis of Dublin itself, perceived in all of its disturbing religious and ethical palsy. An epiphany occurs when there is a sudden manifestation of the kernel or significance of something, when a minute of penetration about a state of affairs arises outright with great magnitude. Epiphanies, minutes of sudden penetration about state of affairss, arise often in Dubliners, which has been described and analyzed by critics as a series of 15 epiphanies. However, the narratives in the Dubliners really go much beyond this acute penetration about a peculiar quandary. The characters invariably show a sudden explosion of enlightenment, coupled with the thwarting consciousness of their impotence to make anything about it. In Dubliners, one of the ways these epiphanies are provoked is by the clang of the ocular with the acoustic. This is a common technique of Joyce. Throughout his plants, from Dubliners to Finnegan s Wake, Joyce developed his subjects through a series of epiphanies, a series of related minutes of sudden penetration and apprehension. The nucleus significance of Joyce s works is provided chiefly by his changeless portraiture of a certain existence in a certain order. Sudden experiences are seen as significantly lighting, and the character of the narrative realizes the truth about himself and the state of affairs he is in. But that is non all: the reader is shown the whole procedure, which finally becomes an epiphany for the reader. Concentrating upon a more specific analysis of the epiphanies in Dubliners, I will reason that most of the epiphanies, coupled with defeat, are provoked by the clang of the ocular with the acoustic. Interestingly, in Dubliners Joyce utilizes the metaphor of the maze of the oculus. Minotaurs prevent the Dubliners from comprehending what they are, with the exclusion of rare epiphanies when the oculus collides with another of the senses, such as the ear. At that minute the Minotaur is metaphorically slain, ensuing in a dramatic change of the ocular perceptual experience of the character and a sudden, insightful consciousness of their existent quandary. But frustratingly, this is ever accompanied by palsy. Joyce enhances the labyrinth metaphor by making a sense of darkness that haunts the whole aggregation of short narratives in Dubliners, proposing entire confusion. This technique is accompanied by the aimless and symbolic roving of characters in the eventide through the distortion Dublin streets, which all excessively frequently lead nowhere or ensue in the roamer driven and derided ( Joyce 35 ) into a dead terminal, as happens in Araby. As celebrated briefly, palsy, a living decease or complete stultification of the senses, is a double component along with epiphany, and seems to be the experiential status of Dubliners. Like most of Joyce s narratives, this palsy is faithful to his subjects, and portrays powerlessness ( in the signifier of failing and sexual vacillation ) , defeat, and finally, decease. His metropolis is the psyche of moral, religious, and rational palsy, and everyone is a victim. Paralysis is present in Dubliners from get downing to stop and go bit by bit more powerful and cosmopolitan: it begins as single palsy through a three of provinces, childhood, adolescence and mature life, before spread outing to corporate palsy in the three narratives of public life so as to permeate the artistic, spiritual and political civilizations of Dublin. The events in Araby provide an illustration of the clang of the ocular with the acoustic, ensuing in a sudden minute of penetration. In Araby the storyteller loves books to such an extent that he behaves like the supporter of a love affair novel, safeguarding his love like a sacred goblet through the seamy underworld of Dublin. Her image accompanied [ him ] even in topographic points the most hostile to woo ( Joyce 31 ) . He carries this guiltless vision of the universe with him, derived from the romantic novels of Walter Scott, but he excessively is destined to recognize that the fierily pursued universe of his dreams is an semblance. In the just scene, for illustration, the male child overhears an asinine exchange: O, I neer said such a thing! O, but you did! O, but I didn t! Didn t she say that? Yes. I heard her. O, there s a story ( Joyce 35 ) ! This brief reported conversation resembles some of Joyce s earlier epiphanies even though it is non included in the aggregation. It is d eserving observing, nevertheless, that this is much more than merely recorded conversation, because it reveals so clearly the betterment of the writer s artistic accomplishment, every bit good as his adulthood at the clip he wrote Dubliners. Triggered by conversation, an epiphany of find and consciousness outright altered the male child s sense of perceptual experience. In other words, the male child realizes the vacuum of the talkers every bit good as the purposelessness of his ain outlooks. He all of a sudden understands, but is incapacitated to make anything about it. Interestingly plenty, this epiphany takes topographic point when the visible radiation was out ( Joyce 35 ) suggesting that at the minute of the acous tic confrontation, actual sight is replaced by penetration. The storyteller is altered at this minute into a paralytic animal driven and derided by amour propre ( Joyce 35 ) . In Eveline, Joyce suggests that Eveline is stifled by the dust of Dublin and overwhelmed in the same manner as Father Flynn is when he passes out while declaiming his day-to-day supplications with his oral cavity unfastened ( Joyce 10 ) , literally suffocated by the unnatural point of position of the oculus in isolation. The universe enfolding Eveline is a visually confined infinite that provides her a dimension of false security in which she takes shelter. On the other manus, the acoustic universe embodied by Frank offers no existent point of mention or specific position because it involves a coincident relationship and is so distressing. Whatever is aural in Eveline s visually partitioned environment is either broken or taken from her place. For illustration, Frank comes from a distant unknown state ( Joyce 37 ) and the organ participant is forced to travel off. In add-on, Eveline s ocular universe is connected with the Catholic Church and appears to promote a limited ocular apprehension of the existent universe. What makes her dilemma even more affecting is that at the beginning of Eveline she has everything she needs to be the victor alternatively of the victim. All her senses are active and she can comprehend both universes. She is able to separate the ocular, compartmentalized, suppressing universe of her place and household from the acoustic across-the-board universe of Frank. Yet at the terminal, she rambles on like her ain female parent, who dies muttering unintelligible comments. Eveline ends up inactive, like a incapacitated animate being ( Joyce 41 ) , give uping to the ocular. Her vacant stare reveals no existent acknowledgment at all, merely because of going overwhelmed in the visually restricting streets of Dublin. Interestingly, most of the Dubliners are severely losing their battle with the Minotaur of palsy because they have neer experienced an epiphanic disclosure. Father Flynn and Eveline are possibly the best illustrations of this. Father Flynn is a paralytic Catholic priest who has become spiritually crippled after neglecting in his career. He is a captive of his calling pick and unable to get by with his responsibilities. Because Eveline is the lone character who is offered a realistic and positive chance to go forth, her instance is even more dramatic. She has all the possible to transport out her determination and yet, at the minute of interrupting her ties with Dublin and her household, she becomes indecisive, with no mark of love or farewell or acknowledgment ( Joyce 41 ) . In kernel, The Dead marks the spreading-out palsy at every degree to cosmopolitan dimensions, depicted by the symbolism of the snow being general all over Ireland ( Joyce 211 ) . Individually, the partygoers are physically alive but fail to populate in any meaningful manner. Politicss, art, and faith are wholly presented as every bit paralytic. For illustration, Joyce suggests that political relations are dead and have sunk to the parochial and overzealous patriotism of Miss Ivors. Religion is besides but a shadow of its former ego, devoid of power and life, as symbolized by the monastics lying lifeless in their caskets. Art is portrayed every bit merely as dead and uninspiring, represented in this narrative by the vocalizing of Bartell D Arcy, who was non in voice tonight ( Joyce 212 ) . In Dubliners, Joyce evokes in kernel a fallen universe that features unfertile atomization and an unnatural isolation of the senses. The citizens of Dublin depend entirely on the oculus for comprehension but still do non see clearly. This is illustrated in The Dead when Gabriel s eyes, irritated by the floor which glittered with beeswax under the heavy pendant, wandered to the wall above the piano ( Joyce 186 ) . In fact, The Dead, which is both the ultimate synthesis and flood tide of Dubliners, seems to be offered by James Joyce as a individual epiphany of multiple significance, such as decease in life, life in decease, and evocation of the dead. Significantly, the Morkan party in The Dead takes topographic point on January sixth, which is of class the Christian banquet of Epiphany. This is a perfect pick for the concluding narrative of such a book. The irreverence of Joyce s word picture of Epiphany Day is possibly the most important component of The Dead, every bit good as a remi nder that it is a religious decease that is the really foundation of the palsy of which the Catholic Church is the chief cause. Joyce offers a mock anadiplosis of the original Epiphany in The Dead. Gabriel Conroy arrives on a cold dark from the E. The offer of gold is reflected when he took a coin quickly from his pocket ( Joyce 178 ) , as a generous gift for Lily. Such interesting analogues, whether or non Joyce intended them, are surely sardonic. In consequence, Christianity as a dynamic force has degenerated into a sarcasm of itself. In decision, epiphanies, in the signifier of minutes of penetration about state of affairss, arise often throughout James Joyce s Dubliners. The characters invariably become enlightened, but are coupled with the thwarting consciousness of their impotence to make anything about it. In Dubliners, most of the epiphanies are provoked by the clang of the ocular with the acoustic.